I’ll admit it.
I’m a melody and riff man.
I like pretty much straight forward music with a hook in the chorus and a great melody or riff. I stray into prog rock a little with a life-long love of Yes, Jethro Tull and Pink Floyd, but newer prog bands like Dreamtheater and Opeth? No. They leave me cold. I really want to like them because the musicianship is amazing, but the songs just send me to sleep, and watching them live is a grind. So it won’t come as any real surprise that the first thing that comes to me in a new song is the melody.
I’ll sit with the guitar (or bouzouki, or mandolin) and just play chords, singing nonsense over the top. After a while I’ll sing a melody or a chord sequence that pricks up my ears. I’ll go back and then build on that. Ask questions. Is that a verse? A bridge? The chorus? Decide where in the song it might be best placed, then play it through to see where the melody naturally goes next.
Eventually, I’ll have a verse tune, a chorus tune, maybe a middle eight or bridge to go with it.
Out comes the iPhone and I’ll record it.
The melody might stay on my phone for years before I go back to it, ask the question “what does this melody say to me?” and it might become a song on a new album.
So the melody first, then the lyrics.
Almost all my songs have been written that way apart from two – Only Human and Pagan Ways. Only Human was a rant. I was going to write about what led to that song being written but as I typed it just brought me down. I don’t want you to feel that way reading this article, so I’ve deleted it. But the words of that song came first, then the tune, and writing it was pretty cathartic.
Sometimes, particularly with the songs from the Y Mabinogi albums, the tune and lyrics come together. I already know what the song needs to say because of where it comes within the tale. I also know the feeling I want from the song for the same reasons. So with those songs, it feels like the initial ‘noodling’ is getting ready for a hunt, and then I head off and literally hunt the melody. Some of the lyrics will often arise as that hunt takes place. Writing the Y Mabinogi songs has been, and continues to be, a magical process which has often felt as if another hand is guiding me towards the prey.
With songwriting, you are constantly switching between the left and right sides of the brain. If possible, to keep the flow, it’s important to spend more time in the right side, the creative side. But then come the rhymes. Making rhymes is often a left hand, logical, process. It can influence the entire line of the song and can change it which is obviously a part of the creative process, but that rhyme can sometimes drag you out of the flow if it takes too long. So there is no shame in using a good rhyming dictionary. I always have Clement Wood’s Complete Rhyming Dictionary to hand, just in case.
Some songs take a few hours. Some literally land on the page in what seems like minutes. Others take weeks, months, or years to complete. They’re the ones that need to stay in the cauldron and bubble away until the spell is ready.
The Awen is an elusive mistress. I can’t force a song. If I sit down with the whole intent to write a song I often just spend time looking at a blank screen and flashing cursor. I probably could just write, but songwriting is a part of who I am, it reflects how I see the world, life, my spiritual path, so above absolutely everything else it needs to be honest.
That’s how it’s always been for me, and it’s how it’ll always be.
I hope you enjoyed that, and if it’s inspired you to write a song, get strumming!