Tag Archives: songwriting

Story of the Song – Grimspound

800px-Grimspound_view_2I find the moors of the West Country deeply inspiring. If ever I’m feeling any kind of disconnection from the Source of my inspiration, a visit to the moors will often reopen the floodgates for the Awen to flow once more. I was feeling that disconnection just before I wrote this song so I got into my car and headed west.

I knew where I was going – it’s a pilgrimage I take at least once a year, to Merrivale and Grimspound on Dartmoor.

Grimspound is a late Bronze Age settlement high on the moor. It’s surrounded by a large fallen stone wall, and inside you can still see the remains of the roundhouses. On a beautiful day it is incredibly peaceful, but on a typical Dartmoor day, with the wind and the rain, it must have been a harsh place to live.

I sat with my guitar inside the remains of one of the roundhouses and just began to play on the guitar – looking around, breathing in the history of the place, imagining it full of life. What kind of people lived there. A Raven called overhead, and I felt I could see torchlight on the Tors either side of me. Voices of the Ancestors singing. The Land singing. And the melody of the guitar began to take shape. A ghostly and reflective refrain.

 

“The wind and the rain, still whisper its name, and the name that they whisper, Grimspound.”

 

Deep in the Wild Land,

Placed by a cold hand,

A tribe of the Heartland,

A world far away…

 

At the time of the settlement much of Dartmoor would still have been forest.

 

The forest surrounds them,

And Spirit has found them,

They drink from the fountain,

On the noon of the day…

 

The water source is still there, running through the settlement.

The song came in waves. Voices telling their story. Me listening, writing.

It truly is a magical place. A year or so later on a clear night Cerri and I initiated two people as Druids. There is no light polution that reaches that far onto the moor. I had never seen to many stars.

The initiates waited in one of the roundhouses, and we brought each one, in turn, to the larger roundhouse and each one took that step onto the path of the modern Druid.

No sounds other than our voices, and the occasional breath of wind, and maybe the whispered blessing of the Ancestors.

Grimspound – The Hills they are Hollow

A Nostalgic walk to the Record Store…

rattrapDo you remember the first single you ever bought? I bet you do. And probably the first album too.

The first single I bought was Rat Trap by The Boomtown Rats.

I remember saving up my pocket money and walking with my friend down to Mastersound in Haywards Heath, the only record shop in town, and looking through the singles charts until I saw it there and asking for the number (ok, I can’t remember the number it was in the charts) single it was. He handed it over, I paid my cash, and we walked home.

I played that single to death. Over and over again, and the B side too, that ‘something extra’, the hidden beauty on the reverse side of the record. I mean, when I say played it to death I really mean that. I put it on, played it, lifted the needle back to the beginning, played it again, and again, and again. And I know from talking to other people I wasn’t alone in doing this.

Back in the day buying music was a journey. I heard songs on the radio, or on Top of the Pops. If I couldn’t afford the single I sat by my radio listening to the top 40 being played on a Sunday evening, finger ready to press the record button, and when it came on I recorded it from the radio. Dreadful recordings, but I had the song!

The same was true for albums. The first album I bought with my own money was Strangers in the Night, the double live album by UFO. I saw them playing Doctor Doctor on Top of the Pops and this time bypassed the single and went straight for the album.

I played that to death too. I still have all of my albums, but they are in the loft – no vinyl record player in the house any more.

I’m not bemoaning the transformation from vinyl to CD. In truth I hated vinyl for its fragility. It seemed I could just put an album that had no scratches away fine, and when I pulled it from the sleeve next time it had either warped, or been scratched. I loved the CD. It was smaller, yes, but I still had that sense of journey when buying it. It still had sleeve notes and cover art I could read, and look at, whilst listening to the music. The recording quality was also amazing.

But as with the cassette tape and vinyl record, we have sacrificed quality for convenience. Along came the MP3. Napster, iTunes and peer to peer file sharing have changed everything. Now when I want an album I just open the iTunes app on my iPhone, find the album, and download it. I have it in seconds. I do like the convenience, but that sense of journey has gone. I wonder how many people value those MP3s in the same way that they value a record or CD collection?

Am I just an old dinosaur? See, to me, something has been lost forever in the way we now consume our music. I can also see streaming services like Spotify and Rdio being used more. Services where we take out a monthly subscription, and then have access to an almost infinite number of albums and songs to ‘stream’. Albums that we can also download to an app for ‘offline listening’. But we could spend £120 a year for the rest of our lives, and not own one single album from spending that money… And if the music service changes their policy, increases their price, or goes bust, we lose all of those playlists and ‘offline listening’ albums, maybe having spent £120 for 5 or 10 years. I find that passing over of my own choices a little weird.

I understand ‘progress’.  I can see and experience the convenience of downloading music from iTunes etc. Things have moved on. But with the demise of HMV and other music stores I can also see something I loved as a young boy disappearing forever. I liked the experience of buying music from a shop, and think we are a little worse off without it for our children and grand children.

But there we go, things move on.

Ceridwen and Taliesin – The Making of Antlered Crown and Standing Stone

Okay, one day late with the music post…

Here’s the final ‘making of’ video that tells of the inspiration behind the song Ceridwen and Taliesin, from my new album Antlered Crown and Standing Stone.

I hope you’ve enjoyed these little videos as much as I’ve nejoyed putting them together.

Previous videos in the series:

Antlered Crown and Standing Stone

Under a Beltane Sun

Brighid

Branwen’s Lament

Sons and Daughters (of Robin Hood)

The Dreaming

The January Man

Silent Moon

Down in the Garden

Down in the Garden – The Making of Antlered Crown and Standing Stone

Continuing the series of short ‘making of’ videos, this one tells the story behind the song Down in the Garden.

The new album, Antlered Crown and Standing Stone, is available here

Previous videos can be found here:

Antlered Crown and Standing Stone

Under a Beltane Sun

Brighid

Branwen’s Lament

Sons and Daughters (of Robin Hood)

The Dreaming

The January Man

Silent Moon

The January Man – Making of Antlered Crown and Standing Stone

Continuing the series of short ‘making of’ videos, this one tells the story behind the only cover version on the album – The January Man.

The new album, Antlered Crown and Standing Stone, is available here

Previous videos can be found here:

Antlered Crown and Standing Stone

Under a Beltane Sun

Brighid

Branwen’s Lament

Sons and Daughters (of Robin Hood)

The Dreaming

The Dreaming – The Making of Antlered Crown and Standing Stone

Here another in a series of story behind the song videos that tell the inspirations and stories of the songs on my new alnum Antlered Crown and Standing Stone. This one is called The Dreaming. The others are here:

Antlered Crown and Standing Stone

Under a Beltane Sun

Brighid

Branwen’s Lament

Sons and Daughters (of Robin Hood)

 

Sons & Daughters (of Robin Hood) – the making of Antlered Crown and Standing Stone

It seems right that this video should be uploaded on the eve of the USA Presidential elections. Here is the inspiration and story behind the song Sons and Daughters (of Robin Hood) from my forthcoming album Antlered Crown and Standing Stone due out on 17th November and available to pre-order now from my website at www.paganmusic.co.uk

Enjoy!

The other four videos are here:

Antlered Crown and Standing Stone

Under a Beltane Sun

Brighid

Branwen’s Lament

Brighid – The Making of Antlered Crown and Standing Stone

Here’s the third in this series of 10 videos.

This one tells of the inspiration and story behind the song Brighid from my forthcoming album Antlered Crown and Standing Stone due out on 17th November and available to pre-order now from my website at www.paganmusic.co.uk

Enjoy!

The first two are here:

Antlered Crown and Standing Stone

Under a Beltane Sun

Antlered Crown and Standing Stone – The making of Antlered Crown and Standing Stone

Over the next couple of weeks, and up to the release of the new album on the 17th November, I’ll be creating a series of short videos that tell of the inspiration behind each of the songs and placing them here on the Bardic Blog.

So here’s the first video that is all about the inspiration behind the title track of the album Antlered Crown and Standing Stone.

The Peace of Autumn’s Gift

As Autumn digs its heels in deeper I find myself mentally slowing down with a deep sense of peace. I love it that the season’s energy also matches my own.

It’s been an amazing and busy year with music and travelling, the Spirit of Albion movie launching, and the recording of my new album out next month. All of the music has been recorded and I’m now at the stage of fine tuning the mixing and mastering. Each day I’ve been listening again to the mix I had created the day before, and each day I’ve heard stuff I want to adjust. But with each passing day those changes have become less and less, until now I’m just adjusting the fine detail most listeners won’t even notice, but it’s important for me that it’s right when it reaches your ears. I’ve even remixed the free download I gave out last week, so I’ll be uploading a new version soon.

Like I say, I’m probably the only one who will notice the changes.

So soon it will be sent off for pressing. I’m sending it at Samhain. Very apt.

Once the master has been sent off I’ll be making a little video, telling the story behind each new song. I thought things were slowing down. Well they are. Apart from the video, Witchfest, the tour with Spiral Dance, the OBOD Winter Gathering, more gigs, a new songbook…

I love my life.