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How to write a song – The Muse

The Muse. The cause of the Fire in the Head, the Awen, Imbas, inspiration. A blessing, sometimes frustrating, often turns up late, at least in my experience, but what is it? The answer, as with anything metaphysical isn’t clear or definitive. The Muse can take many shapes, sometimes a feeling, sometimes a figure of myth, sometimes male, or maybe female, or neither.owl.jpeg

I found my Muse by accident. It was a close encounter with the Goddess Blodeuwedd, and you can read more about that here. She can be gentle, or a hard mistress, and I could never predict her arrival. It could happen anywhere – ideally whilst noodling on an instrument, but more often when I didn’t even have a pen, paper, or tape recorder to hand. In these instances I just kept singing the line/tune in my head until I was able to write it down, or record it. This wasn’t helpful…..

So I decided one day to make an appointment with my Muse…. I would be sitting with my guitar, pen and paper ready, at 10am tomorrow morning. I would start to write, and if she turned up, great, if not, I’d start without her. You see I love writing songs, and I want to write more often. I know some of you feel the same. I love the feeling of creativity, the flow of Awen. So the appointment appeared to be the answer.

Well, I was on time. I picked up my guitar, and began to play. At first just cold, cliched tunes, nothing to Fire the Head, but after about 20 minutes something changed – she turned up. She was late, some might say politely late, but here she was….. Imramma (A Soul Quest) was the result.

I’ve done that more and more since then. It seems that I do have to at least make the appointment. If I just sit down and play, more often than not I’ll walk away after enjoying a good practice session, but with nothing new. The appointment works. So if your Muse is often late/fails to turn up, try making an appointment and see what happens.

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How to write a song – songs and poetry continued…

Following on from yesterday’s post on songwriting I’d like to delve a little deeper.

It certainly helps me when I sit down to write to know what it is I’m going to be writing, ie whether it’s a song, or a poem. If my drive is to write a poem, I won’t grab one of my instruments. All I need is a pen and piece of paper. I feel an incredible sense of freedom when I write poetry. I let my mind and emotions free and follow the stream of consciousness as it appears on the page before me. My poetry tends to follow this pattern. When the poem is finished I often feel washed clean, purified – somehow the world changes when a new poem has been written.

Here’s one of my poems – a seasonal one for Imbolc:

Imbolc
By Damh the Bard

As the dark, cold morning gives way to light,snowdrops1.jpeg
And the world shows its face dazzling in her nakedness,
So the twigs and leaf-bare branches,
Bow to the passing dance

Of old Jack Frost.

His crystal breath on the earth,
And the corners of houses weep icicles of joy.
But where is the Sun’s warmth?
Where is life?

A small flower, delicate and pure-white,
Looks to the earth,
As if talking to the waiting green,
“Not yet,” it seems to whisper.
“When I fall, then you can return.”

And she nods her head,
as the Lady passes by,
Leaving more flowers in Her wake.

Writing a song is a very different experience.

I’ll often feel the need to write a song, so will grab an instrument and just noodle, playing with chords, fingerpicking, singing nonsense words to find a melody that fits with the chords. Sometimes something comes, sometimes it doesn’t. But the melody is the hook of the song for me, so other than two of my songs when I wrote the words first and then found the tune (Only Human and Immrama, both from my new CD), the tune always comes first.

I can sometimes have a tune for months before I discover what the tune will be about. The song The Cauldron Born from my new CD, I had the tune for nearly 3 years before the words finally came through. Others, like Merlin am I, I’ll write the tune and the words in one sitting, and will often look at the page afterwards, totally exhausted, and wonder where it all came from.

Either way, for me songwriting is more like giving birth to a child. It can be painful, exciting, frustrating, risky, but at the end there is something that breathes for itself, and like a child, continues to grow and change with every performance.

How to write a song part 1 – songs and poetry

I thought it might be nice to write a series of blogs about my way of songwriting. You don’t need to play an instrument to join in with this, but it certainly helps.

As the title says, this first post is about the differences between songwriting and poetry writing. Why start here? Well, I think some people write poetry and then try to pumusic.jpegt music to their words and don’t understand why it won’t work. I guess I’ll say something controversial here – as a general rule poems are not songs. What!! No they’re not, they’re poems. Now that’s not saying that some song lyrics cannot read as poetry, or that some songwriters indeed have the hearts of poets. And I know that a few musicians have put famous poems to music (Loreena MacKennett comes to mind) – but there are always exceptions. On the whole they differ. As I said, this is a general rule.

The main things about a song lyric is that is must have a rhythm and meter – usually one that stays consistent – that can be sung emotionally as a tune. It can, indeed it must, vary between the various parts of the song (verse, bridge, climb, chorus etc – I’ll go into these on another post), but these individual parts should match in rhythm and meter. Also, its got to rhyme (again, I’ll go into different rhyming techniques on another post).

Now a poem can have a regular meter -

Dah-dah dah-dah dah-dah dah-dah

Dah-dah dah-dah dah-dah

Dah-dah dah-dah dah-dah dah-dah

Dah-dah dah-dah dah-dah etc.

And that is fine to speak out loud, but a bitch to sing with any kind of emotion. A lyric must also flow musically. How do we do that? I’ll start that bit next time…